Kamis, 28 Juli 2011

Get Free Ebook Let My People Go Surfing: The Education of a Reluctant Businessman - Including 10 More Years of Business Unusual

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Let My People Go Surfing: The Education of a Reluctant Businessman - Including 10 More Years of Business Unusual

Let My People Go Surfing: The Education of a Reluctant Businessman - Including 10 More Years of Business Unusual


Let My People Go Surfing: The Education of a Reluctant Businessman - Including 10 More Years of Business Unusual


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Let My People Go Surfing: The Education of a Reluctant Businessman - Including 10 More Years of Business Unusual

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Audible Audiobook

Listening Length: 7 hours and 59 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Penguin Audio

Audible.com Release Date: September 6, 2016

Language: English, English

ASIN: B01KB9LY6I

Amazon Best Sellers Rank:

I ordered this book as part of my Marketing Management module in my MBA. It is a great read and offers a supportive insight into marketing related concepts; notwithstanding the associated cause and effect. I would recommend this book to anyone with an interest in Marketing and/or as an accompanying source for those studying for their MBA.

I loved this book so much. I loved the way Yvon talks us through his own personal history, and walks us through the history of the company. The sweet anecdotes about creative problem solving (i.e. How do you get a retailer who is very behind on payments to settle up? Send their next order (of scrap metal) COD)) were my favorite parts. I also loved being able to read the mission statements, particularly the one the senior team member cobbled together over lunch while they were on a retreat in Patagonia. I loved the way the book was written in conversational English. And I loved the excerpts from ads and the excerpts from that Alpine Climber's magazine. Such beautiful writing!One note to Yvon/Patagonia suppliers: The commercial wool industry is BRUTAL. I like that you're selling recycled wool sweaters, and would love to see you totally abandon any partnerships with commercial wool farmers. In order to sheer sheep at a rate that's profitable (most get paid per sheep rather than by the hour) they have to hurry through the sheering process. That means lots of cuts for the sheep. Plus there are some types of sheep that are prone to parasites in the folds of their rear. In order to combat that, farmers simply slice off a chunk of that area so there are no longer folds. OUCH. Again, commercial wool farmers, BAD.Sorry, I got off on a tangent. I loved this book. It held my attention all the way through. I had trouble putting it down, actually. Yvon's voice is very sweet and actually has inspired me to ask myself, am I doing all I can for the environment? AND am I working at a job/in an industry that I'm proud of? Could I be doing something more fulfilling (for my own quality of life, and the environment?).

While I agree with the vast majority of the environmental postures of the author I find his position as an owner of a for profit B Corp on a global scale hypocrisy. While he touts a 1% sin tax to compensate for the ecological damage his firm promotes their continued mass production and globalist policies are much the same as “non-environmentalist” practices. There are some golden nuggets of truth with regard to employee practices - ie don’t work for a firm you don’t believe in, childcare local to the parent, and showers in the offices. But I have a really tough time believing a guy who writes that he hates the corporate culture but leads a large corporation. His thinking that he is somehow “different” is a symptom of the entitlement driving many of the really bad business decisions made by people who came of age in the late 1960s. The dichotomy is obvious to external observers but denied by the observed. I think the eco friendly posturing is just marketing to get “the dirtbag” (author’s words) to keep being the core of his customer base.

If not for its literary eloquence or sophistication, this is a precious read for the sobering lessons on environmentalism that too many of us can use more reminders on. Personally I find the arguments for minimalism and simplicity helpful, and they tie in perfectly with the overall tones of the book - living responsibly both as individuals and as a society. Every choice we make as a consumer has a consequence that's not necessarily reflected by its price tag, and it's something we should all be aware of. Thanks Yvon for sharing your wisdom!

A solid book. Yvon Chouinard has a unique perspective on the world and company building. There is a lot of admire about his philosophies. I do wish there were many more companies in the world as mission driven as Patagonia. But, this ends up not really being a business book nor really as into the culture of Patagonia as I'd hope. It ends up sort of being a biography with more details on the company's activism.

Insomuch as this is a memoir and not a business management book, it's fantastic! The first part is pretty much all about the Yvon's early life (which makes me feel like less of a man lol), the history of Chouinard Equipment (future Black Diamond) and Patagonia, and the history of a few of it's offshoot sister companies. The 2nd part of the book describes various philosophies that Patagonia tries to employ in it's practices and dealings.I found this history particularly interesting, especially given that Yvon had absolutely no business background, and throughout the book is very upfront on this fact. Describing the (sometimes comical) struggles he encountered, restructures needed and addressed, and culture developed, was very enjoyable.Insomuch as the philosophies section is concerned, if you're familiar at all with Patagonia and it's dealings this will be pretty straightforward to you. I did enjoy the HR/benefits section, and was intrigued about Chouinard's take on innovation (borrowing, stealing, repurposing ideas ='s fast and effective) vs. invention (can be great, but takes time, is unpredictable, and doesn't guarantee value added vs. just cool). I think it was telling though that by far the longest section of this book in this section is the Environmental Philosophies section. Everyone who knows Patagonia knows this is important to them, and I thought it was telling of them to give it so much space in his book. Some of the figures - if somewhat outdated - are interesting (and scary).If you're looking for a 'how to do business [like Patagonia]' rule by rule book, this probably wouldn't be the best starting point. For that, maybe try Yvon's other book, The Responsible Company. However, if you accept that this is a memoir about a man and the development of a company that cares deeply about it's value and understands the struggles therein, this book is great!

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Selasa, 19 Juli 2011

Download PDF Kate Chopin: Complete Novels and Stories: At Fault / Bayou Folk / A Night in Acadie / The Awakening / Uncollected Stories (Library of America), by Kate Chopin

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Kate Chopin: Complete Novels and Stories: At Fault / Bayou Folk / A Night in Acadie / The Awakening / Uncollected Stories (Library of America), by Kate Chopin

Kate Chopin: Complete Novels and Stories: At Fault / Bayou Folk / A Night in Acadie / The Awakening / Uncollected Stories (Library of America), by Kate Chopin


Kate Chopin: Complete Novels and Stories: At Fault / Bayou Folk / A Night in Acadie / The Awakening / Uncollected Stories (Library of America), by Kate Chopin


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Kate Chopin: Complete Novels and Stories: At Fault / Bayou Folk / A Night in Acadie / The Awakening / Uncollected Stories (Library of America), by Kate Chopin

Review

“Chopin is not, and never has been, a writer who is easily summed up. Here we get everything—the complete stories and the novels—in one tidy, well-presented package… Chopin’s richness is best swallowed in great quantities, and this new edition makes that possible.” —Buffalo News

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About the Author

Kate Chopin (1850–1904) was born in St. Louis and moved to Louisiana where she wrote two novels and numerous stories. She is best known for the landmark book, The Awakening (1899), which advanced an implicit assertion of erotic freedom that got it banned from libraries and curtailed Chopin’s literary career. Forgotten for a time after her death, Chopin’s work has been rediscovered as inspiringly free-spirited and ahead of its time.Sandra M. Gilbert, volume editor, is professor of English emerita at the University of California, Davis. She has published numerous volumes of criticism, a memoir, and six collections of verse; most recently she is the author of Acts of Attention: The Poetry of D. H. Lawrence (1990) and Kissing the Bread: New and Selected Poems 1969-1999 (2000).

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Product details

Hardcover: 1075 pages

Publisher: Library of America; First Thus edition (September 30, 2002)

Language: English

ISBN-10: 9781931082211

ISBN-13: 978-1931082211

ASIN: 1931082219

Product Dimensions:

5.3 x 1.3 x 8.2 inches

Shipping Weight: 1.5 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

20 customer reviews

Amazon Best Sellers Rank:

#390,526 in Books (See Top 100 in Books)

All of Chopin's writing is excellent, especially for those who have knowledge of south Louisiana and a sense of history. However, this edition has many problems. Beginning after the initial novel presented, 'At Fault', the formatting becomes progressively worse until it gets to a point where it is obvious that the text was scanned in using character recognition software without making any attempt to correct mistakes. Some of the stories were so badly formatted I gave up on them and skipped them. I went back in and purchased 'Kate Chopin Collection - Annotated Classics'. I have not actually begun reading it yet but I have checked the formatting throughout and it appears to be well done. It also includes selected short stories that appear to be missing from this version as well as what may be some interesting and valuable annotations.

This book is a great collection of Kate Chopin's writings. Chopin truly has a way of portraying women in her writings much differently than society in her day believed they should be. If you read her works knowing this, you will come to respect her work the way I have. I believe that in a time when women weren't allowed to speak out on the injustice they faced in society, and the belief that they couldn't be independent sexual creatures, Kate Chopin was making a stand in her writings to express how complex, independent, and sexual they really were. She is an amazing writer and this is an amazing collection.

Kate Chopin had guts. She was an independent thinker that valued her individuality and free spirit.She never shied away from tough topics such as the role of women in marriage and society, race, and the power of the individual and all done in a thought-provoking, fearless and often deft-penned manner.I have much respect for her as a person and, most of all, her writings.If you have already read her work and like it, by all means this is a great book to have.If you haven't read her work, read one of her short stories, The Story of an Hour or Desiree's Baby, to see if you like it. If you're hooked, this is a great book that gives you her work in one wonderful volume.Enjoy!

I first read an autobiography about Kate Chopin. I then wanted to move on to read her stories. The stories proved to be as interesting and complex as the author herself.

A must-have for Chopin scholars and enthusiasts. If you loved The Awakening, you'll love "The Storm" even more!

Book. An old book reprint. I like having it. I am extremely happy to not have lived in her time. Kiss your Grandmas and Great Grandmas people.

A good read. Women's life in another era. Edna is a complicated character. She never learned to be satisfied. Good characterization.

Very good book. Worth the purchase.

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Kate Chopin: Complete Novels and Stories: At Fault / Bayou Folk / A Night in Acadie / The Awakening / Uncollected Stories (Library of America), by Kate Chopin PDF
Kate Chopin: Complete Novels and Stories: At Fault / Bayou Folk / A Night in Acadie / The Awakening / Uncollected Stories (Library of America), by Kate Chopin PDF

Sabtu, 16 Juli 2011

Download Ebook Lao Tzu: Tao Te Ching: A Book about the Way and the Power of the Way, by Ursula K. Le Guin

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Lao Tzu: Tao Te Ching: A Book about the Way and the Power of the Way, by Ursula K. Le Guin

Lao Tzu: Tao Te Ching: A Book about the Way and the Power of the Way, by Ursula K. Le Guin


Lao Tzu: Tao Te Ching: A Book about the Way and the Power of the Way, by Ursula K. Le Guin


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Lao Tzu: Tao Te Ching: A Book about the Way and the Power of the Way, by Ursula K. Le Guin

Review

“Among the many translations of Lao Tzu’s Tao Te Ching, Ursula K. Le Guin’s new version is a special treasure—a delight. There is something startlingly fresh and creatively alive here, brought forth by Ms. Le Guin’s intuitive and personal ingenuity.”—Chuangliang Al Huang, founder of the Living Tao Foundation and coauthor (with Alan Watts) of Tao: The Watercourse Way   “A student of the Tao for several decades, Le Guin has created an English text that will speak to modern readers in a fresh and lively way, while conveying the humor, insight, and beauty of the original.”—Lion’s Roar magazine   “The type of work which the great Polish poet and Nobel laureate WisÅ‚awa Szymborska meant when she spoke of ‘that rare miracle when a translation stops being a translation and becomes . . . a second original.’ . . . The whole of Lao Tzu: Tao Te Ching is well worth savoring—as much for the ancient substance as for Le Guin’s stylistic splendor.”—Maria Popova, Brain Pickings

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About the Author

Ursula K. Le Guin (1929–2018) is an internationally celebrated author of more than fifty books of fiction, poetry, and essays, including The Left Hand of Darkness, Always Coming Home, and the Earthsea Cycle series. Her numerous literary awards include six Nebula Awards, seven Hugo Awards, the Science Fiction and Fantasy Writers of America Grand Master Award, and the National Book Foundation Medal for Distinguished Contribution to American Letters.

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Product details

Paperback: 136 pages

Publisher: Shambhala (May 14, 2019)

Language: English

ISBN-10: 1611807247

ISBN-13: 978-1611807240

Product Dimensions:

5.5 x 0.4 x 8.5 inches

Shipping Weight: 6.6 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

146 customer reviews

Amazon Best Sellers Rank:

#82,105 in Books (See Top 100 in Books)

I am now reading, concurrently, chapter by chapter, three versions of the Tao Te Ching: Feng/English's, Stephen Mitchell's, and Ursula Le Guin's, which is my hands down favorite. I've owned the Gia-fu Feng/Jane English version for many years and I still love its clear and concise language, it's simple and direct style. Stephen Mitchell's version, in my side by side comparison, is seen to be a more interpretative rendition based on his own understanding of Lao Tzu's meaning. Rather than stay with Lao Tzu's imagery and metaphor, he packages it all up into a kind of exposition of the meaning he derives from those images. This approach may appeal to those wishing for a more conceptual understanding of this great work, but for me, it diminishes so much of the subtlety and a deeper intuitive conveyance of meaning that is only possibly through poetry. This is where Le Guin's version outshines and makes a quantum leap beyond the other two. She retains all the imagery, nuance and flavor of the poetry while capturing a feeling of playfulness and spontaneity. But beyond even that, I find that her ability to hold the paradox and enigma of Lao Tzu's mystical realization allows for a deeper, more inspired reading than the other two.To illustrate what I mean, please bear with me as I compare one stanza. This is Stanza 30 in the three versions:Mitchell:Whoever relies on the Tao in governing mendoesn't try to force issuesor defeat enemies by force of arms.For every force there is a counterforce.Violence even well intentioned,always rebounds upon oneself.The Master does his joband then stops.He understands that the universeis forever out of control,and that trying to dominate eventsgoes against the current of the Tao.Because he believes in himself,he doesn't try to convince others.Because he is content with himselfHe doesn't need others' approval.Because he accepts himself,the whole world accepts him.Feng/English:Whenever you advise a ruler in the way of Tao,Counsel him not to use force to conquer the universe.For this would only cause resistance.Thorn bushes spring up wherever the army has passed.Lean years follow in the wake of a great war.Just do what needs to be done.Never take advantage of power.Achieve results, but never glory in them.Achieve results, but never boast.Achieve results, but never be proud.Achieve results, because this is the natural way.Achieve results, but not through violence.Force is followed by loss of strength.This is not the way of Tao.That which goes against the Tao comes to an early end.Le Guin:A Taoist wouldn't advise a rulerto use force of arms for conquest;that tactic backfires.Where the army marchedgrow thorns and thistles.After the warcome the bad harvests.Good leaders prosper, that's all,not presuming on victory.They prosper without boasting,or domineering, or arrogance,prosper because they can't help it,prosper without violence.Things flourish then perish.Not the Way.What's not the Waysoon ends.Le Guin adds a note at the end of this stanza. She says, "The last verse is enigmatic: 'Things flourish then perish.'—How can this supremely natural sequence not be the Way?" She then directs the reader to another note under a later stanza where she picks up on Lao Tzu's use of a "baby" metaphor to describe how one following the Way acts in the world. She writes: "What is eternal is forever young, never grows old. But we are not eternal. It is in this sense that I understand how the natural, inevitable cycle of youth, growth, mature vigor, age, and decay can be "not the Way." The Way is more than the cycle of any individual life. We rise, flourish, fail. The Way never fails. We are waves. It is the sea."So, rather than change the actual words to make the meaning more intelligible to our conceptual understanding, as in Feng/English, or simply avoid the whole issue by presenting a loose rendition that doesn't follow the original so closely, as in Mitchell, Le Guin presents the enigma as it is and then ponders and digs deeper to try to grasp what Lao Tzu was truly saying. She goes beyond a facile, generic understanding and comes up with something exquisitely profound. The Way isn't about how we're supposed to act in the world. It isn't about us as individuals at all. The Way is beyond all the flourishings and perishings of the temporal world of form. To live in the Way is to live rooted in the timeless, unchanging essence of our Being which simply is, always. Feng/English's and Mitchell's versions don't come close to penetrating into this realization. This is an example of why I consider Le Guin's version to be superior to the others.One minor quibble: Le Guin tells us that the Chinese word "Te" is usually translated as Virtue. She translates it as Power throughout the book because she feels that the word Virtue in contemporary usage has lost its previous sense of "inherent quality and strength of a thing or person." I myself still prefer Virtue, maybe because I'm old fashioned and still think of Virtue in the old way, like the way Plato used it. Another word choice that I believe would convey the same meaning would be the "All-Good." That has both a feeling of Power and Virtue in it. As I said, it's a minor quibble.

This is a problematic book to review in many ways, of which I'll name only three.First, it is not a translation, for Le Guin readily admits that she knows no Chinese. Rather, it is a synthesis from a number of translations, made to (1) emphasize the poetry and (2) to be consistent with Le Guin's understanding of the Tao Te Ching. (Weirdly, I once, under the influence of general semantics, set out to do the same thing, but never got very far...) Thus, her choices are always open to question ... which might be a good thing, and certainly seems in keeping with the spirit of the Tao as best I understand it, which is very little.Second, this is not the first or the second, but something like the seventh rendering of the Tao Te Ching that I have read, partly for the reason suggested above, partly because I hoped through such diversity to achieve something like an understanding. (Up to now, my favorite translation has been that of Crowley, which Le Guin does not use as a source.)Third, and most telling, this is a book you don't just read. You live with it, like a good Bible or Bhagavad-gita. Having read it once, though carefully and ruminatively, does not qualify me to say much about it.Still.My "up-to-now" above suggests that this is now my favorite English Tao Te Ching, and that would be an accurate suggestion. Le Guin's language conveys the meaning (if that's the correct word) of Lao Tzu (Laodze, Lao-tse, etc.) in a way I find particularly apt to that meaning.I will not comment on what the "meaning" is, because that is something that you must discover for yourself if you are to get any value from it; and besides, I am not sufficiently expert to do other than make a fool of myself. But whether it is "meaning" or not, it is there, and Le Guin's rendering brings it to us as well as any I've read.

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Sabtu, 09 Juli 2011

Download Ten Things I Hate About Me, by Randa Abdel-Fattah

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Ten Things I Hate About Me, by Randa Abdel-Fattah

Ten Things I Hate About Me, by Randa Abdel-Fattah


Ten Things I Hate About Me, by Randa Abdel-Fattah


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Ten Things I Hate About Me, by Randa Abdel-Fattah

Product details

MP3 CD

Publisher: Bolinda Audio; Unabridged edition (March 19, 2012)

Language: English

ISBN-10: 1743110707

ISBN-13: 978-1743110706

Product Dimensions:

5.2 x 0.5 x 6.8 inches

Shipping Weight: 0.8 ounces

Average Customer Review:

4.3 out of 5 stars

22 customer reviews

Amazon Best Sellers Rank:

#9,466,499 in Books (See Top 100 in Books)

This book is written more for a teen audience and I am not a teen. However, I came across the title and thought it sounding like a good book. It really addresses being comfortable with who you are and choosing your own identity. Many of the other reviews are basically summaries so I will not retell the story but its an easy read and I definitely recommend it. It does deal with some racial issues. It is set in Australia and the main character is Muslim.

I bought the book for my niece, and she loves it. Shipping and handling was great, would recommend it for girls.

I read this book a while ago and I was interested in reading it again, it is as good as I remembered it. It gives you the perspective from all age groups, about how:- discrimination, stereotypes and being judgemental impacts individual, families, society etc etc

Actual Rating: 3.25Review can also be seen here:[...]I recently bought this book due to my interest in reading contemporary stories featuring Muslim main characters, particularly women and teenagers. I am not Muslim myself, and don't see myself converting to the Islam faith, but I love reading about characters with different faiths and lifestyles. To be honest, I don't see many differences from faith to faith, so why not diversify my reading with characters who are faiths that are not my own(FYI, for now Im Agnostic, but I feel as though faith may guide me towards Buddhism).Now, Ten Things I Hate About Me? Hmmm....This book was just alright. It centered around an Australian born 15 year old named Jamilah Towfeek. Her parents were originally from Lebanon, and are Muslim. Apparently Australia hasn't quite got the memo when it comes to diversity, so anything outside of being Anglo-Saxon Australian was considered un-Australian. Since Jamie lived her school life as "Jamie" and dyed her hair blonde, and wore blue colored contacts, she gave no reason for her fellow Anglo-Saxon classmates to judge her in the same ways they judged the students who were "ethnics."A lot of this book made me uncomfortable. It's well written, and depicts a teenager as accurate as I remember being one, but the racism is quite ugly, and it's sad that the youth is brought up with such hate, even now. Explaining what I liked and wasn't sure about would be much easier.What I liked:I felt as though the pacing is good, short books tend to be better at pacing than longer ones. It didn't reveal information too soon or too late, so that was a thumbs up. I suppose it's consistent. Jamilah doesn't really steer far from being the kind of girl she is. The backstory is well thought out, and not too much is revealed too soon and the story doesn't take too much time dwelling on backstory.There's plenty of conflict. Jamilah is someone who deals with racism indirectly, as her classmates know nothing about her heritage. It's kind of sad, but she would rather sit and take abuse, than be true to herself. She also is in a constant battle with her father. He does not approve of her doing certain things. To me he's the standout character. I loved Hakim. He was a grieving widower having to pick up the where his wife left off in raising his children. Jamie often thought he was being strict, but what good parent isn't a little overprotective? Too much of Western culture is centered on sex, drugs, and alcohol, I dont think it's asking too much to want to shield your children from negativity. Let's face it, kids are doing it, but I don't think it's wrong of a parent for wanting the best for their children.I do think the book is unique, or at least to me. I don't read a lot of books centered on Muslim teenage girls. Especially from Australia.I don't find there to be many issues toward the language, but I'm American, so anything I read Im going to assume to be difference in dialect or lack of knowledge or cultural awareness. Jamilah's in a band at her madrasa class(Arabic class) and her bandmates are overly exaggerated hip hop fans. Their dialogue may just be a result of thinking that's how Americans talk. Her POV is clear, as it's first person and never steers from that. There's an acceptable amount of space between beats and dialogue, and the editing is an industry standard.The book title is intriguing. Makes me wonder what the ten things are. And the cover gives me an idea that she's going through an identity crisis.Things Im not crazy about:While there is plenty of diversity, and I mean main character type diversity, Jamilah herself is so ashamed of her heritage in the company of Anglo-Saxon descended Aussies. So much of her opinion on herself, and other non Anglo-Saxoned Aussies comes from the opinion of the so called "real" Australians." Let's not put sugar on s***. I hated her crush. He was chauvinistic , racist and too arrogant for his age or own good. But I think I actually hated Jamilah more for taking the abuse. Culture and race is kind of where a person like me draws the line. She's relatable but only when she's proud of herself. I don't suppose her passing for "white" is a new story. To be honest, I've never considered the Lebanese to be anything but white, so Im confused about why it's seen as so negative. I suppose perhaps it's common to be considered white in one country, then to immigrate to another and be considered a different race, but she was so eager to not be a "loser" that taking the backhanded racism came with her passing.It really didn't raise the self esteem of young Muslim girls to me. Mind you this is just my opinion, but I never felt as though Jamilah reached her epiphany on how to see herself. She didn't come to any conclusion on her own, she only came to decisions after many tried to convince her to feel that way. She was also so un-appreciative of her father. Perhaps this is a bias of mine. I have such a great appreciation for immigrant parents. They often sacrifice their own happiness for better opportunities for their children, and Jamilah just didn't see that.I think I kind of liked this book. I didn't love it, but didn't hate it. I would probably read from this author again, but I just didn't find it was a great representation of proud Muslim young women.

You must read this!!! I relate to it to a point of where I can't speak! Even if I sound cliche, I INSIST YOU READ THIS!!!!!!!!!

Although straight forward in themes and morals, this story was presented gracefully with enough humor that the possibly tired plot was quite enjoyable. I loved exploring race and high school politics with the main character, Jamie.Jamie is a sophmore in high school. She dies her hair blknd and wears blue contact lenses to hide her heritage from the school. At home she goes by Jamilah and participates in Lebanese-Muslim culture with her family. She’s not allowed to go out with friends per her dad’s request, which is a source of conflict for her because she wants to have a social life and not be seen through prejudiced eyes. Her biggest refrain is that she does not want to be seen as just another stereotype.Although this book was written rather simply, I enjoyed getting to know he characters. Farrah filled this book with quirky lines like, “Man, I was angrier than a constipated giraffe.” This is definitely a book better suited for a younger audience, but it does speak simply about race, stereotypes, prejudice, and how to navigate being true to yourself. Set in Australia, I got a new perspective on racism/race dynamics in another country, as so much of what j here about is just racial tension in the US or sometimes Latin America. And, or course, who doesn’t love a book with strong family ties and a happy ending? Ten Things I Hate About Me definitely has a 90s family movie kind of vibe, and I loved it!

[...]Favorite CharacterShereen – Since she had more time with their mom and she’s a big sister, her groundedness provides a strong example of how to be proud of all parts of your identity for Jamilah. Plus, I love how she has created an active feminism that respects and fits into the rest of identity while still challenging the parts she finds difficult.Favorite Line“I read headlines describing the crimes as ‘Middle Eastern rape.’ I’ve never heard of Anglo burglary or Caucasian murder. If an Anglo-Australian commits a crime, the only descriptions we get are the colour of his clothes and hair.”The book may not be subtle in any of the “lessons,” but it is honest.Fun Author FactAbdel-Fattah has worked as a lawyer, an interfaith activist, a consultant for media representation of Muslims and Middle-Easterns, and is not working toward her Ph.D. – I am always impressed by all the things writers do in addition to writing!Is this worth a book hangover?This is a more surface-level look at identity, racism, and the need to be/fear of acceptance. Jamie/Jamilah’s story is not very complex and sometimes it’s a little too sweet, but over all it’s an interesting look at the process and difficulties of self-acceptance.Read These NextShine, Coconut Moon by Neesha Meminger for another look at a teenager reconciling different identities or My Basmati Bat Mitzvah by Paula J. Freedman for a fun, middle grade look at what balancing Indian and Jewish identities might be like.

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Senin, 04 Juli 2011

Free Ebook American Gods, by Neil Gaiman

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American Gods, by Neil Gaiman

Amazon.com Review

American Gods is Neil Gaiman's best and most ambitious novel yet, a scary, strange, and hallucinogenic road-trip story wrapped around a deep examination of the American spirit. Gaiman tackles everything from the onslaught of the information age to the meaning of death, but he doesn't sacrifice the razor-sharp plotting and narrative style he's been delivering since his Sandman days. Shadow gets out of prison early when his wife is killed in a car crash. At a loss, he takes up with a mysterious character called Wednesday, who is much more than he appears. In fact, Wednesday is an old god, once known as Odin the All-father, who is roaming America rounding up his forgotten fellows in preparation for an epic battle against the upstart deities of the Internet, credit cards, television, and all that is wired. Shadow agrees to help Wednesday, and they whirl through a psycho-spiritual storm that becomes all too real in its manifestations. For instance, Shadow's dead wife Laura keeps showing up, and not just as a ghost--the difficulty of their continuing relationship is by turns grim and darkly funny, just like the rest of the book. Armed only with some coin tricks and a sense of purpose, Shadow travels through, around, and underneath the visible surface of things, digging up all the powerful myths Americans brought with them in their journeys to this land as well as the ones that were already here. Shadow's road story is the heart of the novel, and it's here that Gaiman offers up the details that make this such a cinematic book--the distinctly American foods and diversions, the bizarre roadside attractions, the decrepit gods reduced to shell games and prostitution. "This is a bad land for Gods," says Shadow. More than a tourist in America, but not a native, Neil Gaiman offers an outside-in and inside-out perspective on the soul and spirituality of the country--our obsessions with money and power, our jumbled religious heritage and its societal outcomes, and the millennial decisions we face about what's real and what's not. --Therese Littleton

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From Publishers Weekly

Titans clash, but with more fuss than fury in this fantasy demi-epic from the author of Neverwhere. The intriguing premise of Gaiman's tale is that the gods of European yore, who came to North America with their immigrant believers, are squaring off for a rumble with new indigenous deities: "gods of credit card and freeway, of Internet and telephone, of radio and hospital and television, gods of plastic and of beeper and of neon." They all walk around in mufti, disguised as ordinary people, which causes no end of trouble for 32-year-old protagonist Shadow Moon, who can't turn around without bumping into a minor divinity. Released from prison the day after his beloved wife dies in a car accident, Shadow takes a job as emissary for Mr. Wednesday, avatar of the Norse god Grimnir, unaware that his boss's recruiting trip across the American heartland will subject him to repeat visits from the reanimated corpse of his dead wife and brutal roughing up by the goons of Wednesday's adversary, Mr. World. At last Shadow must reevaluate his own deeply held beliefs in order to determine his crucial role in the final showdown. Gaiman tries to keep the magical and the mundane evenly balanced, but he is clearly more interested in the activities of his human protagonists: Shadow's poignant personal moments and the tale's affectionate slices of smalltown life are much better developed than the aimless plot, which bounces Shadow from one episodic encounter to another in a design only the gods seem to know. Mere mortal readers will enjoy the tale's wit, but puzzle over its strained mythopoeia. (One-day laydown, June 19)Forecast: Even when he isn't in top form, Gaiman, creator of the acclaimed Sandman comics series, trumps many storytellers. Momentously titled, and allotted a dramatic one-day laydown with a 12-city author tour, his latest will appeal to fans and attract mainstream review coverage for better or for worse because of the rich possibilities of its premise.Copyright 2001 Cahners Business Information, Inc.

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Product details

Hardcover: 480 pages

Publisher: William Morrow; 1st edition (June 19, 2001)

Language: English

ISBN-10: 1117970485

ISBN-13: 978-1117970486

ASIN: 0380973650

Product Dimensions:

6.1 x 1.4 x 9.2 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

6,604 customer reviews

Amazon Best Sellers Rank:

#3,835 in Books (See Top 100 in Books)

I have enjoyed reading Neil Gaiman for awhile now. I first read his Sandman comics and then I read his novel Neverwhere. Gaiman has a knack for coming up with extremely clever ideas of a mystical nature and carrying them off with energy and atmosphere. I looked forward to much of the same with this novel, American Gods. Though not quite up to the level of his previous stories, there is much to like here. As always with Gaiman, the idea here is very clever; namely, that when the settlers from the Old World settled America, they brought with them their various gods. Since a god's "health" is maintained by the amount of worship received, the Native American gods were overshadowed by a new pantheon. The thrust of this novel is that the Old World Gods--Odin, Loki, leprechauns, etc.--are being replaced by technological/consumer "gods." (The television, for example, comes to life at one point.) But these old gods aren't going to go out without a fight. The story follows the adventures of a man named Shadow, a recently freed ex-con haunted (literally) by his recently deceased, cheating wife, who is hired by Wednesday, a creature Shadow slowly learns is a version of the god Odin. The two of them travel around gathering up the old gods into an army to battle the new gods. Needless to say, there are plenty of twists and turns leading to a surprise ending of sorts. There are problems here, however. One: the characters are interesting but only superficially. It is difficult to ultimately care about what happens to any of them with possibly a couple of exceptions. Two: the "gods" in question here are not any that most people would consider gods. The entire Judeo-Christian influence is pretty much ignored apart from some subtle imagery. I find it difficult to swallow a novel about American gods that ignores these influences. Still, the novel is a quick read and does present some ideas that are interesting to chew over. How dependent on worship is a god's power? What is the nature of sacred objects and sacred places? Is technology and consumerism taking over the role of religion in America? I just wish the characters had been a little more engaging and the story a little more energetic.

This is the 10th anniversary edition that I'm reviewing, which means that there should be 10 years worth of reviews already, and anyone who is a Neil Gaiman fan will have already read it.That said, here goes: it an old idea that you've seen before in a couple of Star Trek episodes and who knows elsewhere: the Greek gods or some other gods (in this case, pretty much all gods, in any pantheon that ever existed) are (or were) real! They derive their power from being worshiped, and only die if they are forgotten.The twist: believers bring their gods with them when they emigrate. We have old world gods in the new world. New gods don't get along with the old ones, and a conflict ensues.We follow one individual, Shadow, who isn't himself a god, but who might be employed by one, on journeys to various odd locations in the U.S. which are focal points of power. Not knowing much lore, he nevertheless has to do his best to fulfill his employer's missions, feeling his way through potential dangers and political intrigue.

Dear, dear how I've loved this book. After a long hiatus from reading novels, I picked this one up on the basis of others' reviews. It was everything that I could have asked for in a fantasy novel: a diverse set of compelling characters, a sense of mystery and doom, emotional connection, a sense of history intertwining with the present. Clearly a modern classic and, though it is set in America, a work that plays with the idea of interweaving history, fantasy, and action in a way that is reminiscent of the the classics of the fantasy genre. A beautiful book and a world and vision that I hope Gaiman continues to explore for years to come.

As the title of this review clearly states, I saw the TV series before I read this book, in fact I did not know this book existed and I was quite certain that it would not be a book I would enjoy reading, after all, the series revealed all the secrets.Well I was wrong this book is full of highways and byways, I touched in the series treatment and in fact has more depth than those eight epidodes could ever dream of and although it never got to the end of the book, in fact it did not even make it to the House on the Rock, the series was an excellent way for me to pick up something that I should have read years ago.The characters all fully drawn, the plot is well paced and the author is true to his premise throughout, which for me anyhow make this a five star book. When archetypes are needed they are used and used with a deliciously ironic effect. This is the sort of book I could put down and come back to, until of course I received the final chapters. Although the ending is foreshadowed more than once, and I will not spoil any else's enjoyment of this book by pointing it out, I was caught up in the narrative that I could not suspend my disbelief for long enough to puzzle it out. Although I look forward to another season of American Gods, knowing what I know now, will certainly allow me to cast a more critical eye on the transformation of this delightful adventure to the small screen, and I expect great things from the screen writers as they weave the rest of this tale into their streaming video offering.

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