Senin, 04 Juli 2011

Free Ebook American Gods, by Neil Gaiman

Free Ebook American Gods, by Neil Gaiman

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American Gods, by Neil Gaiman

American Gods, by Neil Gaiman


American Gods, by Neil Gaiman


Free Ebook American Gods, by Neil Gaiman

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American Gods, by Neil Gaiman

Amazon.com Review

American Gods is Neil Gaiman's best and most ambitious novel yet, a scary, strange, and hallucinogenic road-trip story wrapped around a deep examination of the American spirit. Gaiman tackles everything from the onslaught of the information age to the meaning of death, but he doesn't sacrifice the razor-sharp plotting and narrative style he's been delivering since his Sandman days. Shadow gets out of prison early when his wife is killed in a car crash. At a loss, he takes up with a mysterious character called Wednesday, who is much more than he appears. In fact, Wednesday is an old god, once known as Odin the All-father, who is roaming America rounding up his forgotten fellows in preparation for an epic battle against the upstart deities of the Internet, credit cards, television, and all that is wired. Shadow agrees to help Wednesday, and they whirl through a psycho-spiritual storm that becomes all too real in its manifestations. For instance, Shadow's dead wife Laura keeps showing up, and not just as a ghost--the difficulty of their continuing relationship is by turns grim and darkly funny, just like the rest of the book. Armed only with some coin tricks and a sense of purpose, Shadow travels through, around, and underneath the visible surface of things, digging up all the powerful myths Americans brought with them in their journeys to this land as well as the ones that were already here. Shadow's road story is the heart of the novel, and it's here that Gaiman offers up the details that make this such a cinematic book--the distinctly American foods and diversions, the bizarre roadside attractions, the decrepit gods reduced to shell games and prostitution. "This is a bad land for Gods," says Shadow. More than a tourist in America, but not a native, Neil Gaiman offers an outside-in and inside-out perspective on the soul and spirituality of the country--our obsessions with money and power, our jumbled religious heritage and its societal outcomes, and the millennial decisions we face about what's real and what's not. --Therese Littleton

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From Publishers Weekly

Titans clash, but with more fuss than fury in this fantasy demi-epic from the author of Neverwhere. The intriguing premise of Gaiman's tale is that the gods of European yore, who came to North America with their immigrant believers, are squaring off for a rumble with new indigenous deities: "gods of credit card and freeway, of Internet and telephone, of radio and hospital and television, gods of plastic and of beeper and of neon." They all walk around in mufti, disguised as ordinary people, which causes no end of trouble for 32-year-old protagonist Shadow Moon, who can't turn around without bumping into a minor divinity. Released from prison the day after his beloved wife dies in a car accident, Shadow takes a job as emissary for Mr. Wednesday, avatar of the Norse god Grimnir, unaware that his boss's recruiting trip across the American heartland will subject him to repeat visits from the reanimated corpse of his dead wife and brutal roughing up by the goons of Wednesday's adversary, Mr. World. At last Shadow must reevaluate his own deeply held beliefs in order to determine his crucial role in the final showdown. Gaiman tries to keep the magical and the mundane evenly balanced, but he is clearly more interested in the activities of his human protagonists: Shadow's poignant personal moments and the tale's affectionate slices of smalltown life are much better developed than the aimless plot, which bounces Shadow from one episodic encounter to another in a design only the gods seem to know. Mere mortal readers will enjoy the tale's wit, but puzzle over its strained mythopoeia. (One-day laydown, June 19)Forecast: Even when he isn't in top form, Gaiman, creator of the acclaimed Sandman comics series, trumps many storytellers. Momentously titled, and allotted a dramatic one-day laydown with a 12-city author tour, his latest will appeal to fans and attract mainstream review coverage for better or for worse because of the rich possibilities of its premise.Copyright 2001 Cahners Business Information, Inc.

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Product details

Hardcover: 480 pages

Publisher: William Morrow; 1st edition (June 19, 2001)

Language: English

ISBN-10: 1117970485

ISBN-13: 978-1117970486

ASIN: 0380973650

Product Dimensions:

6.1 x 1.4 x 9.2 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

6,604 customer reviews

Amazon Best Sellers Rank:

#3,835 in Books (See Top 100 in Books)

I have enjoyed reading Neil Gaiman for awhile now. I first read his Sandman comics and then I read his novel Neverwhere. Gaiman has a knack for coming up with extremely clever ideas of a mystical nature and carrying them off with energy and atmosphere. I looked forward to much of the same with this novel, American Gods. Though not quite up to the level of his previous stories, there is much to like here. As always with Gaiman, the idea here is very clever; namely, that when the settlers from the Old World settled America, they brought with them their various gods. Since a god's "health" is maintained by the amount of worship received, the Native American gods were overshadowed by a new pantheon. The thrust of this novel is that the Old World Gods--Odin, Loki, leprechauns, etc.--are being replaced by technological/consumer "gods." (The television, for example, comes to life at one point.) But these old gods aren't going to go out without a fight. The story follows the adventures of a man named Shadow, a recently freed ex-con haunted (literally) by his recently deceased, cheating wife, who is hired by Wednesday, a creature Shadow slowly learns is a version of the god Odin. The two of them travel around gathering up the old gods into an army to battle the new gods. Needless to say, there are plenty of twists and turns leading to a surprise ending of sorts. There are problems here, however. One: the characters are interesting but only superficially. It is difficult to ultimately care about what happens to any of them with possibly a couple of exceptions. Two: the "gods" in question here are not any that most people would consider gods. The entire Judeo-Christian influence is pretty much ignored apart from some subtle imagery. I find it difficult to swallow a novel about American gods that ignores these influences. Still, the novel is a quick read and does present some ideas that are interesting to chew over. How dependent on worship is a god's power? What is the nature of sacred objects and sacred places? Is technology and consumerism taking over the role of religion in America? I just wish the characters had been a little more engaging and the story a little more energetic.

This is the 10th anniversary edition that I'm reviewing, which means that there should be 10 years worth of reviews already, and anyone who is a Neil Gaiman fan will have already read it.That said, here goes: it an old idea that you've seen before in a couple of Star Trek episodes and who knows elsewhere: the Greek gods or some other gods (in this case, pretty much all gods, in any pantheon that ever existed) are (or were) real! They derive their power from being worshiped, and only die if they are forgotten.The twist: believers bring their gods with them when they emigrate. We have old world gods in the new world. New gods don't get along with the old ones, and a conflict ensues.We follow one individual, Shadow, who isn't himself a god, but who might be employed by one, on journeys to various odd locations in the U.S. which are focal points of power. Not knowing much lore, he nevertheless has to do his best to fulfill his employer's missions, feeling his way through potential dangers and political intrigue.

Dear, dear how I've loved this book. After a long hiatus from reading novels, I picked this one up on the basis of others' reviews. It was everything that I could have asked for in a fantasy novel: a diverse set of compelling characters, a sense of mystery and doom, emotional connection, a sense of history intertwining with the present. Clearly a modern classic and, though it is set in America, a work that plays with the idea of interweaving history, fantasy, and action in a way that is reminiscent of the the classics of the fantasy genre. A beautiful book and a world and vision that I hope Gaiman continues to explore for years to come.

As the title of this review clearly states, I saw the TV series before I read this book, in fact I did not know this book existed and I was quite certain that it would not be a book I would enjoy reading, after all, the series revealed all the secrets.Well I was wrong this book is full of highways and byways, I touched in the series treatment and in fact has more depth than those eight epidodes could ever dream of and although it never got to the end of the book, in fact it did not even make it to the House on the Rock, the series was an excellent way for me to pick up something that I should have read years ago.The characters all fully drawn, the plot is well paced and the author is true to his premise throughout, which for me anyhow make this a five star book. When archetypes are needed they are used and used with a deliciously ironic effect. This is the sort of book I could put down and come back to, until of course I received the final chapters. Although the ending is foreshadowed more than once, and I will not spoil any else's enjoyment of this book by pointing it out, I was caught up in the narrative that I could not suspend my disbelief for long enough to puzzle it out. Although I look forward to another season of American Gods, knowing what I know now, will certainly allow me to cast a more critical eye on the transformation of this delightful adventure to the small screen, and I expect great things from the screen writers as they weave the rest of this tale into their streaming video offering.

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